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ↂCCXLVI

by Lonsai Maïkov

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1.
The Red Knowledge 07:00
lyrics
This is why we read the runes this is why the runes are so cold this is why the runes are so old In a burned village we were born In a dark village we burn our pain is a cage 'til we get lost but we'll write another page with its blood the grace of our age is a flood chorus :from the den of the past we're coming to conquer from the green (red) mighty house from the pit of passions from the circle of fate we're coming to conquer the green (red / white) knowledge From a brown icy soil we were born by a god with one eye we were burned this world is our gift 'til we get loved but we'll write another page with its runes the grace of our age is our tune chorus... Dans un village en cendre nous lisions les runes voilà pourquoi les ruines sont si vieilles dans un village en cendre nous lisions les runes voilà pourquoi nos ruines sont si vieilles we're coming to conquer the white knowledge
2.
Diamond Daemon 03:46
3.
Apocalypse de ton calice 04:38
4.
Before the world was made 04:48
lyrics
avant, avant, avant qu'il n'y ait le monde pourquoi me dire cruelle ? pourquoi ? Je cherche mon visage tel qu'il fut avant qu'il n'y ait le monde avant, le monde, avant if I make te lashes darker and the eyes more bright and the lips more scarlet and the lips more scarlet or ask if all be right from mirror after mirror no vanity display no no no I'm looking for the face I had before the world was made from W.B. Yeats poem "Before the world was made"
5.
Hexapsalm of concatenation days 07:17
6.
Anthares kingdom 07:10
lyrics
IT WAS A STRANGE JOURNEY IN A DEEP VALLEY A MAN STOOD ALONE ALONE ON A BLACK ROAD A GREEN BOTTLE IN HIS RIGHT HAND A SHINNING KNIFE IN HIS LEFT HAND A MAN STOOD ALONE ALONE ON A BLACK ROAD BLACKER THAN HIS BLACKEST THOUGHTS BLACKER THAN THE BLOOD HE SUCKED ON HER BREAST HE SUCKED ON HER LEGS WHY DID SHE GIVE HIM THE GREEN BOTTLE WHY DID SHE GIVE HIME THE SERPENTS KING S RED HEAD HER HAIR WERE AS BLACK AS THE ROAD WHERE HE STANDS HER TEETH WERE AS WHITE AS THE BONES LEFT ALONE UNDER THE SUN HIS HEAD IS NOW SHIVERING HIS BLOOD MORE HOT THAN THE WIND BLOWING FROM THE SOUTH HIS EYES MOVE FASTER AND FASTER AND HIS FACE IS NOW TOTALY BURNED O LORD HIS EYES BOTH BECAME BLACKER THAN COAL AND THE DESERT GREW AND THE DESERT GREW THE GREY SAND IS COVERING THE ROAD O LORD O LORD THIS IS WHERE ANTHARES REIGNS THE DEEP RED SHADOW KING DOM WHAT DID HE INVOKE PURE SADNESS WHAT DID HE INVOKE PURE ANGER WHAT DID HE INVOKE PURE CRUELTY BLIND NOW BLIND NOW HE FALLS ON HIS KNEES and weep...
7.
Crimson angel 05:10
lyrics
O migthy angel, so full of mercy you hold the heart of the world wrapped in your crimson wings free from all pride, pure wisdom is your shape, your voices are flames your songs are fire You crimson angel lead us to the heart, this body seeded with light deep within the body ange plein d'harmonie, tu ignores les cris crissements et dissonances sont étrangers à ta danse O migthy angel, so full of mercy you hold the heart of the world wrapped in your crimson wings free from all pride, pure wisdom is your shape, your voices are flames your songs are fire You crimson angel lead us to the heart, this body seeded with light deep within the body
8.
Notre Dame des pierres MMXXI 04:03
9.
Axes and lashes (all I can give) 05:55

about

IN MEMORIAM
Mathieu Gael Broquerie (1972-2018)

credits

released December 10, 2021

CY<LES 10.6

1/ The Red Knowledge
2/ Diamond Daemon
3/ Apocalypse de ton calice
4/ Before the world was made
5/ Hexapsalm of concatenation days

CY<LES 24.6

1/ Anthares Kingdom
2/ Crimson Angel
3/ Notre Dame des pierres MMXXI
4/ Axes and lashes (all I can give)

ץ ץ

LM appears in <louds and (rune thorns) and <rowns
as Master Joli-Feu (a<a TPR Jolif)
[vo<als ; a<ousti< & ele<tri< guitars ; bass ;
hand and metal per<usion ; bodhran ; tibetan bowl and bells;
<eyboards ; Farfisa organ ; devices ; noises ; smo<es and sounds]

with da benevolent <ollaborations ov : Aima Lichtblau : vocals on 10.6/4 and 24.6/2 * Alan Souquet: bac< vocals and <eyboards on 10.6/5 * Didier Ambact : drums on 10.6/2 * Erwan Cosyns: ele<tri< guitar on 10.6/1 and 24.6/1 * Gael Helary : solo guitar on 10.6/5 * Gregory Legouic  : bass on 10.6/2 * Jul Q : vocals on 10.6/2 * Michel Le Faou : Mellotron, keys and tools on 24.6/3 * Marcello Fraioli : vocals on 24.6/ 2 * Matthieu Canaguier : electric guitar, glasses and piano on 24.6/2 * Nathaniel Ritter : organ on 10.6/2 ; piano, keys, maracas on 10.6/3, maracas on 10.6/4, percusion and keys on 24.6/3 and 24.6/4 * Ramon : vo<als on 10.6/1 and 24.6/1 * Stiam : ele<tri< guitars on 24.6/4

All lyri<s and musi< by TPRJ excepted :
10.6/4 lyri<s extracts from the William Butler Yeats poem Before the world was made ;
lyri<s on 24.6/4 inspired by the documentary film Braguino (2017)
music on :
10.6/3 ; by TPRJ with N. Ritter ; 10.6/5 by TPRJ with G. Helary and A. Souquet ; 24.6/2 ; by TPRJ / M.Canaguier / Aima ;
24.6/3 by TPRJ with M. Le Faou ; 24.6/4 by Stiam with TPRJ and N. Ritter
TPRJ guitars and percusion on 24.6/2 were previously recorded for the piece Incendium Amoris by Vallée des Larmes
24.6/3 is part of the numeric endless project Prayers to NDDP reloaded
10.6/2 is dedicated to Goulven Quentel (1976-2018) and 24.6/2 to Mikis Theodorakis (1925-2021)

Engineered and recorded by TPRJ & The Great Du<e at <aer Sterenn studio from Imbolc to Samhain 2021 (with special help of Ramon and Jul Q.), except recorded by themselves at home: Alan Souquet ; Matthieu Canaguier ; Ambact, Aima, Stiam, Gael Helary, Marcello Fraioli, Michel Le Faou

Mixed, produced and mastered by Nathaniel Ritter except 10.6/2 and 10.6/4 mixed by Flap

Above all and against all powers and dominations Warm than<s and shinny benedi<tions to ALL our <ollaborators and ALL at Idiotphone records and to :
Medhi, Zardoz, Vania, Aodren, Arnaud, Rachel, Jean-Gabriel, Romain and Garance, Matthieu and Roxanne, Lus, Alain Broquerie, Olivier S., Paco, Olivier Ligot, JC and Flo, Gato, Tarik, Aurélien Lemant, Nebojsa and Sacha !

ÆthernaL LuV to :
Malo, Enora, Fabienne, Thierry, Lucas, Roger, Denise, Francette and Yves !

let's enjoy and rejoice the tears and the smiles
we once, still and always shared, they
are the rivers and reminders which unite us in humanity
AMIN
TPRJOLIFEU

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Lonsai Maïkov Rennes, France

The dark Apopkalypse began in 1988.
Band's name and sign revealed themselves in the fog of dreams and noises (at the time Thierry Jolif was bass player in a local noisy-cold-wave band, Mortus Delirium). A certain obsession with extremes avant-gardes & European mythologies as well as spirituality leads him in sonic indus experiments as well as folkish tunes, harsh, poetic and low-fi. ... more

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